It suits songs like Opera House and John Wayne, which, thanks to Jacob Tomskys drumming, meander along at funereal pace, allowing Gonzalez, whose voice is harsher live than its recorded androgynous register, the space to dust the songs with sparkling melodies at his leisure
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The closing Wild Is the Wind, crooned in a torch-song style, was the title track on a 1966 album by the High Priestess of Soul, Nina Simone